Blavatsky
Calling
And I don’t wanna shout!
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The Voice of
the Silence
Website
The Voice of the
Silence by H P Blavatsky
An Eastern
Spiritual Workout for the Western Mind
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Preface to
The Voice of
the Silence
PREFACE.
THE following pages are derived from "The Book of the Golden
Precepts," one of the works put into the hands of mystic students in the
East. The knowledge of them is obligatory in that school, the teachings of
which are accepted by many Theosophists.
Therefore, as I know many of these Precepts by heart, the work of
translating has been
relatively an easy task for me.
It is well known that, in
different schools of
philosophy, of which there are six, but because every Guru has his own system,
which he generally keeps very secret. But beyond the
The work from which I here translate forms part of the same
series as that from which the "Stanzas " of
the Book of Dzyan were taken, on which the Secret Doctrine is based.
Together with the great mystic work called Paramârtha,
which, the legend of Nâgârjuna tells us, was
delivered to the great Arhat by the Nagas or "Serpents" (in truth a name given to the
ancient Initiates), the "Book of the Golden Precepts" claims the same
origin. Yet its maxims and ideas, however noble
and original, are often found under different forms in Sanskrit
works, such as the Dnyaneshwari, that superb mystic
treatise in which Krishna describes to Arjuna in
glowing colors the condition of a fully illumined Yogi; and again in certain
Upanishads. This is but natural, since most, if not all, of the greatest Arhats,
the first followers of Gautama Buddha [vii] were
Hindus and Aryans, not Mongolians, especially those who emigrated into
The original Precepts are engraved on thin oblong squares; copies
very often on discs. These discs, or plates, are generally preserved on the
altars of the
temples attached to
centres where the so-called "contemplative" or Mahâyâna
(Yogachârya) schools are established.
They are written variously, sometimes in Tibetan but mostly in ideographs. The
sacerdotal language (Senzar), besides an alphabet of
its own, may be rendered in several modes of writing in cypher
characters, which partake
more of the nature of ideographs than of syllables.
Another method (lug, in Tibetan) is to use the numerals and
colours, each of
which correspond to
a letter of the Tibetan alphabet (thirty simple and
seventy-four compound
letters) thus forming a complete cryptographic alphabet.
When the ideographs are used there is a definite mode of reading
the
text; as in this case the symbols and signs used in astrology,
namely the twelve zodiacal animals and the seven primary colours, each a
triplet in shade, i.e. the light, the primary, and the dark - stand for the
thirty-three letters of the
simple alphabet, for
words and sentences. For in this method, the twelve "animals" five
times repeated and coupled with the five elements and the seven colours, furnish
a whole alphabet composed of sixty sacred letters and twelve signs.
A sign placed at the beginning of the text determines whether the
reader
has to spell it
according to the Indian mode, when every word is simply a
Sanskrit adaptation, or according to the Chinese principle of
reading the
ideographs. The easiest
way however, is that which allows the reader to use no special, or any language
he likes, as the signs and symbols were, like the
Arabian numerals or figures, [ix] common and international
property among initiated mystics and their followers.
The same peculiarity is characteristic of one of the Chinese
modes of writing, which can be read with equal facility by
anyone acquainted
with the character: for instance, a Japanese can read it in
his own language
as readily as a Chinaman in his.
The Book of the Golden Precepts - some of which are pre-Buddhistic while others
belong to a later
date - contains about ninety distinct little treatises. Of
these I learnt
thirty-nine by heart, years ago. To translate the rest, I should
have to resort to
notes scattered among a too large number of papers and
memoranda collected for
the last twenty years and never put in order, to make of it by any means an
easy task.
Nor could they be all translated and given to a world too selfish
and too much attached to objects of sense to be in any way prepared to receive
[x] such exalted ethics in the right spirit. For, unless a man perseveres
seriously in the pursuit of self-knowledge, he will never lend a willing ear to
advice of this nature.
And yet such ethics fill volumes upon volumes in Eastern
literature, especially
in the Upanishads. "Kill out
all desire of life," says Krishna to Arjuna.
That
desire lingers only
in the body, the vehicle of the embodied Self, not in the
SELF which is "eternal, indestructible, which kills not nor
is it killed" (Katha
Upanishad). "Kill out
sensation," teaches Sutta Nipâta;
"look alike on pleasure and pain, gain and loss, victory and defeat."
Again, "Seek shelter in the
eternal alone"
(ibid). "Destroy the sense of separateness," repeats Krishna
under every form.
"The Mind (Manas) which follows the rambling senses,
makes the Soul (Buddhi) as helpless as the boat which the wind leads astray
upon the waters" (Bhagavatgita II. 70). [Verse 70.]
Therefore it has been thought better to make a judicious
selection only
from those
treatises which will best suit the few real mystics in the
Theosophical Society, and which are sure to answer their needs.
It is only these who will appreciate these words of Krishna-Christos,
the "Higher Self": -
"Sages do not grieve for the living nor
the dead. Never did I not exist, nor
you, nor these
rulers of men; nor will any one of us ever hereafter cease to
be." (Bhagavatgita
II. 27). [Verses 11 & 12]
In this translation, I have done my best to preserve the poetical
beauty of
language and imagery
which characterise the original. How far this effort
has been successful, is for the reader to judge.
"H. P.
B."
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